It was a bold step for It Bites to reform many years after the iconic Francis Dunnery moved on to fresh pastures. Recruiting long-time fan John Mitchell on vocals and guitar was a masterstroke, and whilst some of the original fanbase would only ever accept the return of Francis himself to the fold, most were encouraged by John's experience with a range of bands (Arena, Frost*, Kino, etc.), his vocal style, virtuoso guitar playing and love of prog with a strong melodic content. With John Beck adding his magic on the keyboards and Bob Dalton providing the driving beat, the combination built on some positive live performances and transferred itself into the studio.Map of the Past (2012) was released several years after The Tall Ships (see review), and whilst retaining the popular and accessible feel of that album, it is a more mainstream prog release with both complexity and shifting themes and also a general concept concerning a revisiting of the Mitchell's family past through photographs and memories and the role that fate and events stamp on our futures. The Edwardian period and the demands of the First World War on the common man are there in the atmosphere the album generates. It is an excellent, focused, album steeped in heavy melancholy and poignancy despite once again having some very catchy melodies, humour and insights throughout. Bass guitarist par excellence Lee Pomeroy joined for this release (Mitchell and Beck handled the bass duties on the previous album) and does a fine job, combining well with Bob Dalton rhythmically throughout the tracks.The atmospheric Man in the Photograph starts the album and sets the wistful tone perfectly as the radio dialling reveals the sounds of the past, but then Wallflower powers in with a driving guitar riff followed up by keyboard runs to wake us up. Map of the Past is an uplifting and sincere return to the album concept, with another memorable lyrical theme. Clocks and Flag are fine precursors to one of the undoubted highlights of the album, the thunderous The Big Machine, with Dalton's drums kicking off full ensemble playing? and setting an ominous tone that will be revisited before the end.Cartoon Graveyard is unbearably catchy, from the gentle vocal introduction, the staccato guitar riffing, flowing keyboards and memorable sing-along chorus. There is even a touch of Supper's Ready keyboards and percussion towards the end for prog-heads to identify.
The band have been working on the new album over the last few years and the first single, Wallflower, was released in November 2019. The band have recently been touring with bands such as Speckle Band and the band will be touring the UK in October.
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